Modernists love corruption

https://charltonteaching.blogspot.com/2018/05/why-traditionalism-has-become.html

They deserve their suffering for this and they’ll get it in full.

The Bible is clear on this point.

Rule of the internet #43

The more beautiful and pure a thing is – the more satisfying it is to corrupt it.

The epitome of evil. Is that not Satan’s MO? Sadism?

42 Nothing is sacred.

https://charltonteaching.blogspot.com/2018/05/why-does-political-correctness-lie-even.html

They live in a superficial world where words are like magic spells and make reality.

No wonder they’re obsessed with HP.

Love is love?

Then why all the divorce?

Lust is stronger than my conscience.

Wicked people, wicked ways, wicked ends.
Our horror films are about these people.

People watch adulterous media over boy meets girl.
Divorce lawyers profit.

https://charltonteaching.blogspot.com/2018/05/is-now-in-west-most-evil-in-human.html

I’ve said before, we’re rotten to the core.

Many of the Biblical crimes we commit are treated with reverence.
Carousing, fornication, blasphemy. Worse than Sodom.

They wanted to corrupt the one pure guest, remember?

Evil cannot stand goodness in its midst.

Link: The God Complex of Modernity

https://www.psychologytoday.com/blog/iage/201511/we-are-becoming-gods

I don’t mind the degenerate elements. Honestly. I don’t care if they want to ruin themselves.

I save my ire for the people who understand what’s going on and pretend to be righteous while hypocritically indulging in exactly the same societal ills.

Funny stuff I couldn’t be bothered to post one by one

Have at it, edgelords.

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This is not real but give it time.

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They didn’t see his porn collection…

The first feminists have a point.

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Depends. There’s an event horizon beyond which they’re damned.

12247017_935363056544142_2578315497270550586_n 12249667_532735830222795_6998093609688308476_n

No other race willingly freed their slaves.

12274541_936990609714720_6302800410546344177_n bisexualwht champagnesocialist CR_lgXwWwAAU4za

He’s a sociopath, of course not.

equalitylosers fe129a649f8b4c9ce6190c93444a36af hater liberal doublethink liberal zone mgtow picture_php_pictureid_7482_e7415a1a41cb8d5e755d80b27dfa172ffaea1fda tumblr_n7y1faTYHF1t21lk6o1_500 tumblr_nmezd2ctk11sbdbx5o1_500 tumblr_nopctrQ7vY1r6r32ho1_540

Nobody is that hungry.

tumblr_nwytl3x0nN1rzhdsdo1_500

My future child.

tumblr_nxrs1vgOJB1r9qk1io1_500

Why are the traditionalists rejecting Roosh V as a disgusting degenerate?

He wanted to become the MSM face of PUA and he managed it. He doesn’t seem to like what that means – personal criticisms when you make your personal life public business.

Note: I was neutral on the guy until I researched this, because I limited myself to reading his cultural critiques. Now I want to throw up. I have a strong stomach and I feel nauseous typing this up for you all. You have been warned.

Welcome Jury, to the public trial of one Daryush Valizadeh, better known as Roosh V.

Take a good, long look at the defendant.

roosh v Daryush Valizadeh

Drink it in. International playboy. Did he seriously get a nosejob?

He slags off female appearance for a living despite giving no advice in this area to men (as if looks don’t matter – only for men, conveniently!) while simultaneously calling all women superficial and having no advice to give, clearly.

Recently, he’s tried to hop the fence between degenerate r-type and respectable K. Except those pesky K-types won’t let him. He likes to think he would have got away with it too, if it hadn’t been for those darn feminists! Let’s take a look at why he is barred from every group of genuinely traditional people and so must make his own using words he obviously doesn’t understand, from entries he wrote on his public blog (mostly titles, for time) that you may you look up at your leisure and pause to consider what would happen to this male in the Patriarchy he craves.

rooshrespectsnothing

If you’re like us, your reaction to that hard-won proof (I suffered for you, like Jesus) will be a hard redpilling of this Roosh’s true nature, whatever words he calls himself as this farce continues.

In the Patriarchy he desperately desires, he’d be strung up from a lamp-post for defiling somebody’s virgin daughter.

I think of this whenever I see a mob baying for blood online

As people with a conscience, soul and sense of decency, we may only hope the Patriarchy returns and he gets what he wished for. K-shift is coming, degenerates.

One day genetic engineering will prove us victors

Wordsworth on Modernity

The world is too much with us; late and soon,
Getting and spending, we lay waste our powers;
Little we see in Nature that is ours;
We have given our hearts away, a sordid boon!
This Sea that bares her bosom to the moon,
The winds that will be howling at all hours,
And are up-gathered now like sleeping flowers,
For this, for everything, we are out of tune;
It moves us not. –Great God! I’d rather be
A Pagan suckled in a creed outworn;
So might I, standing on this pleasant lea,
Have glimpses that would make me less forlorn;
Have sight of Proteus rising from the sea;
Or hear old Triton blow his wreathèd horn.

Video: Why is modern art so bad?

I’ll interject with a little background since I happen to know something to contribute.

I once heard a thought experiment from a nouveau realist artist. They’re trying to bring back form.

If you were walking around a scrapyard, and you found this work of “art”, a little distressed and muddy, would you know what it was? Would you recognise it? Furthermore, would you feel compelled to ‘save’ it?

I’ve yet to find a better test.

AC has touched on this profound schism between the ancient standard of art (K-selected amygdala) and the postmodern ….excuse.

Historically, the turnaround point could have been at two places. The backlash against The Academy in Victorian times (Pre-Raphaelite Brotherhood’s sexualisation onward) or, it laid the groundwork for the likelier of the two. A backlash against Nazi Germany, itself in contrast to “Degenerate Art” aka what we now laud as Modern, almost a century later. When the Nazis lost, it became a show of Allies’ patriotism to oppose the Nazi standards and anything symbolically on a tangent with them (Hugo Boss suits included) and to fill the vacuum with whatever was disgusting, depraved or shocking (cough Holocaust porn cough), and call that “beautiful” to mirror the implied equality of humans (with mud) versus the racial hierarchy. What a lot of people don’t know is that the Nazis did showcase an exhibit of this inferior artwork…. next to ideal Nazi examples with perfect lighting. The contrast was apparent. Hence, when the Jews opened their own art galleries after the war, which style of art do you think they bought? Art is a market after all, a lot of money in it, and even today, the market is overvalued thanks to billionaire tax breaks. When those stop, the market will collapse, and the New Money from China will be left holding its dick.

Naturally, there are those who disagree with the analysis but the timings and statements about the only true art being ‘political art’ are persuasive ipso facto;

We can easily dismiss demonising talk of ‘the Jews who destroy art in order to break Aryan spirit’.

…Photography is to painting as pornography to real women. Both create an illusion of real thing, but leave a lingering emptiness. In the long run, the ‘real thing’ suffers. Pornography undid many happy unions. Reproduction of art conditioned us to view uninspiring beauty. It is difficult to view a painting of Mona Lisa without instinctively comparing it to its endless reproductions. In a way, the modern art was a botched response to reproductions, for an artist needs to attract attention of blasé viewers.  unz

Yet, if you dare suggest there is an objective standard of beauty, and that art must depict both beauty and technical expertise hard-won from thousands of hours in studio, the sudden shuffling of feet to disassociate with you would create another, firmer impression.

The current line? Personal ‘expression’. Lauding the Self and all it makes (cough period art cough) as God.

Think: Is the issue with the artist or the viewer?

A culture can be readily judged by the superiority or inferiority of their artwork.

The Myth of Modern Art Markets

TLDR: The majority of people hate the style. Justly.

http://drawingacademy.com/contemporary-art-bubble?awt_l=9WmjM&awt_m=3vdcDndjTdpSnqq

Until the 15th century, fine art had sacral and utilitarian purpose. No artist was producing paintings for the pure aim of being admired as a subject itself. The church was the main and only client able to afford marvelous masterpieces intended to glorify the commissioner and religious faith. It was a status quo up to the time when Italian bankers and republic rulers came into play. With new money came a new agenda for fine art. No longer was art to be sacral, it was liberated to fulfill another meaning – to become an object of admiration, the measure of status.

Fine artists obliged with readiness. Before that, no artwork was created because an artist wanted to simply express himself, all works were commissioned and the client had his say on what and how to paint.

The Renaissance brought something new to the art marketplace. Sacral art turned into fine art. It became an object that could be valued accordingly to the fine artist’s talent. The value of the artwork stopped being measured by its size, amount of and price of art materials, and time spent by the artist.

The art became a commodity fetishism, it was idolized as the object itself, it was worshiped for the ‘power’ people assigned to it. Art workshops, run by professional fine artists, with the help of numerous apprentices, started to produce artworks that could be purchased not only by kings and church officials, but also by the middle class.

who ruin literally everything pure

The demand of those private citizens shaped the fine art market for the next 500 years. Art styles came and went, fashion was being changed from generation to generation by new consumers, but art managed to stay civilized and fulfill its primary purpose – to be a beautiful object that deserved to be admired, loved and worshiped.

There has been always progress in fine art. New generations of fine artists were coming and competing for the attention of clients. Those who were brave enough to reject old styles and create new ones left many ‘isms’ in the history of modern art: impressionist, cubism, modernism, supermatism, and so on. Seeking awareness by any means and making bold and revolutionary statements, brought many artists into the spotlight of the media. Somehow traditional art skills started to be replaced with creativity.

talent is equal, an overturned chair is equal to the Mona Lisa

After the Second World War, art had entered its contemporary phase. The market ideology was masterminded and financially fueled by those whose intention it was to use contemporary art as Cold War undercover propaganda weapon. Billions of dollars were invested into the promotion of contemporary art. Multiple private foundations became subsidized, funded and ruled by one governor – The Central Intelligence Agency of the United States federal government.

confirmed

These foundations were and still are actively advocating and pushing contemporary art to the public. The main objective of this activity is to destroy traditional ideals of fine art and superimpose new values and morals of life. The main strategy of achieving this goal is brainwashing the public via mass media and cultural events.

If they say long enough that a piece of garbage is art, then gradually people will start believing it. If someone buys that garbage for an insane sum of money, then it becomes officially confirmed as the greatest art ever created.

The price of artwork was no longer linked to the talents or skills an artist displayed. The price was created by inflated demand, fueled by PR and marketing efforts invested in the promotion of a particular artist. The contemporary art marketplace had shifted the focus of attention from a particular masterpiece to an artist’s name. The painting, drawing or sculpture itself becomes less important as the name of its creator….

cultural QE, reducing the value of real art

Contemporary artists in Europe were deprived of conventional fine art education – the vast majority of art students graduate having no classical drawing skills, whatsoever. Today, there is only handful of fine artists around Europe, who’ve developed their skills to the level equal or greater than a mediocre fine artist of the Renaissance.

a single tear michael fassbender crying

In fact, a new saying has developed: “He is not a contemporary artist, he can draw.”

There is a reason why new artists cannot draw. Their teachers have graduated a decade ago; they are not able to teach what they have not learned from their teachers who graduated two decades ago. Instead, they lecture how to be creative.

I cannot cover any more of this wonderful article, it’s too distressing.